, ' 'a -v is ; f U - 1 I The Daily Tar HeelFnday. November 9. 19847 0 i . v.v .,v. .s1:-... -5 -V ill- -, Hope Campus Calendar V - o.w. '. V.V .-. ..-.V.".' .SV.- . M. VA.-. . UTHLarry unuaress vs. obstinacy: A Russian peasant tries vainly to get a passport The Carolina Student FundD7"H Campus Calendar will appear daily. Announcements to be run in the expanded version on Mondays and Thursdays must be placed in the box outside the Carolina Student Fund office on the third floor of South Building by 3 p.m. Friday and 3 p.m. Wednesday, respectively. The deadlines for the limited editions will be noon one day before the announcement is to run. Only announcements from University recog nized and campus organizations will be printed. I Friday 7 p.m. 9 a.m. -2:30 p.m. Off Campus IVCF social bowling at Chapel Hill Bible Church. Senior Class Marshalls must report during this time to pre pare for the Homecoming Parade. Saturday 9-30 p.m. Anglican Student Fellowship Saturday morning breakfast at Chapel of the Cross. Sunday 1 p.m. Association on International Students annual festival in Great Hall of the Union. Free admission, open until 6 p.m. 7 p.m. BISA meeting in the Union. Items of Interest LSAT late registration must be post marked with extra fees by Thursday. Materials available at Nash Hall. GRE information session to be held Thursday at 7 p.m. in 208 Union. J I 1 V FRIO AY THE TRIANGLE COCA-COLA VOLLEYBALL CLASSIC Featuring teams from Duke, Maryland, N.C. State, Pennsylvania, Providence, South Carolina and UNC FRIDAY MATCHES AT CARMICHAEL AUDITORIUM 1 PM UNC vs Maryland 8 PM UNC vs South Carolina n n n f in i: i: Discount Tickets Accepted LATE SHOW FRI & SAT 11:45 FROM THE DIRECTOR OF ANIMAL HOUSE ...A DIFFERENT KJMD OF ANIMAL. AIM AMERICA l l!M LCINiDCIM MOVIE C-- RELEASE MT EAST FRANKLIN STREET 42 3061 W 1 J i LATE SHOW 2:25 FRI & SAT 11:30 A Magical Comedy. DURT LANCASTER LOCAL HEROiii ' ' ni ii . ROJEb AND JULIET 1 2:00,4:30 j JOBETH WILLIAMS TOM CONTI She was an ordinary housewife until her trip to Paris turned into an extraordinary adventure. 1 Am ERICAN DHEAMER1 3:15, 5:15, 7:15, 9:15 :5-: krt V) I She will become their most deadly weapon. As long as they can make her fall in love. B1ACC2 keatg:j 7:00, 9:30 P assep or V studies mindless bureaucracy Pierre Bourgeade's one-act play Le Passeport is a quaint piece of French bric-a-brac, an odd blend of existential ism, absurdity and character study. Wednesday night's performance in Playmakers Theatre, given by students in the department of Romance lan guages, was odd enough. For one thing, the play was performed in its original language, and for another, it was the American premiere of the work, which debuted in Paris only last winter. Le Passeport takes place in Russia around the turn of the century. Nathalia Vissarinovna, a peasant woman, is about to receive a passport permitting her to go to Poland to visit her nephews. She put in the request 25 years before, and since then a strange relationship has developed between her and the customs officer, Fedor Fedorovich. Nathalia is a simple, warm woman who does not understand Fedor's fanatic allegiance to bureaucracy. The play revolves around their interaction, particularly around Fedor and the coldness that masks his humaneness. It is very hard to judge a play like Le Passeport since it is so typically French. Bourgeade develops his ideas as if they were characters, and while he certainly is concerned with the human condition, the characters still seem secondary -- a part of the mise-en-scene. Judging from the intricacy with which he develops his ideas, however, Bourgeade has written an impressive play. Le Passeport is a contemplation of time. A grandfather clock occupies a central place on the stage. Nathalia must wait five minutes after Fedor arrives before she can see her passport. Bureaucracy also is a central theme. Fedor considers himself a cog in the gigantic wheel of government, a man devoted to a ridiculously petty system. After finding out that Nathalia, has killed her chicken, her last remaining livestock, Fedor realizes he can no longer give her the passport since it was issued to her while she was in category D, those people who own livestock. She must now reapply for category C, those without livestock, and wait four more years. Once Nathalia finds a louse in the folds of her dress, however, Fedor considers it livestock and grants her the passport. There is an abundance of humor in Steve Carr Review Le Passeport, and both Mari O'Brien and Bill Owen infused their interpre tations with good comic control. O'Brien played Nathalia as a mousy, sheepish woman who cannot help herself but must depend on others. Her 15-minute scene at the beginning of the play, where Nathalia walks around the stage waiting for Fedor, was a little too stylized to fit the tone of the play. In the rest of her role, however, she was as sensitive to Nathalia as Bourgeade's writing permitted. Owen gave a good tragi-comic per formance as a man who alternated between automaton and human being. Such touches as tapping a matchbox, acknowledging it as a barnyard, were refreshing. More than once, however, Owen upstaged O'Brien, which upset the balance between the two. Karine Shoulars'direction was depen dable, although O'Brien wandered around 4the stage too long in the beginning. Shoulars also did not follow Bourgeade's stage directions at the end of the play, when Nathalia becomes assistant customs officer. The script instructs a spotlight to shine on Natha lia's face while everything else is left in utter darkness, but the lighting simply faded out. Wednesday's presentation was a very good production of a difficult play. Shoulars in particular is to be com mended for bringing both the play and me piuvwughi iu this country. Perhaps she will continue to be responsible for such diverse and different programming. TAKE A DAY OFF FROM SMOKING NOVEMBER 15, 1984 A Great American OKE( )UI SM 10. IMPORTS- I 1 - ' I at i -M nil " within a 5 mile radius I R33z9248, X2n m m "'"---'""""TTXr I. l iwjjMM."lt'70 ) ;rriri.i;ii ri rt n j j-'t tiwiw i jmi n in i . uhjui. in . . j u H ES 16. SHES 22 ALL HE WINTCDWVS HER PICTURE. WHAT HE GOT WS VI 1 5 ' i I f ' i f 'v.f - , fr? I ; r X r . 7 SCUT f-m 1 RESTRICTED T gjT I ' VVV ff UNDER 17 REOUIDES ACCOMPMNNB f "i,, AAA JBJ PENT OH 0un 6URDIAII t , . .. JON CRYERDEMI MOORE NOW SHOWING SHOWS NIGHTLY 7:00 & 9:00 SAT. AND SUN. MATINEES LAAAAaaaJ tXXXl KA 9 exxxs AAAJ j Mmmm,,. 1 li. 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Newsweek A major achievement." - Vmcent Canby. New York Times It's a great movie ..." - Roger i ben dene Siskel, "At The Movies" MtAmadeus' is about as close to perfection aS mOVieS get." - Jack Mathews. USA Today , MI LOS FORMAN A AMADEU EVERYTHING YOU'VE HEARD IS TRUE ZVZZX NEVILLE MARRINER . TWYLA THARP PETER SHAFFER PANAVISION TECHNICOLOR 2:00 Ours Alone in 5:00 KINTEK STEREO 8:30 MI LOS FORMAN : PG PARENTAL GUIDANCE SUGGESTED KtMTBC 2:00 & 4:00