4The Daily Tar Heel Thursday, February 4, 1988 Looking back at the year's best debut albums By RANDY BULLOCK Special to the DTH Generally around the beginning of February, people cease looking back fondly at the year past and instead force themselves to grimly survey the upcoming year. With this in mind, a brief, functional retrospective of the best debut albums of 1987 may help the music fan in keeping an eye on the people who showed a great deal of potential last year. Some of these bands have been together for a while and some have EPs out. but all the albums below are initial domestic releases by each artist. If these albums are any indication of what may come out in 1988. we should all say a silent prayer of thanks. Soup Dragons Hang Ten (Sire) Ever since the Buzzcocks broke up. there has been a sickening gap in the face of pop music, leaving a bunch of moody, pale-faced razor blade cases to entertain us with their pessimistic maundering. Only recently has there been an upswing in the fast, fun variety of pop band Lewis Carroll is alive and well and that forgets to take itself too living in the grooves of this album, seriously. The Soup Dragons are the It starts out unusual and gets best of this new breed. They play fast, curiouser and curiouser as it goes tight pop songs with lots of Beach along. Psonic Psunspot is a refreshing Boys-esque vocalsharmonies and change from the brutal, cynical lyrics that celebrate the less weighty weirdness of bands in America, things in life. It is derivative stuff to Instead of being twisted askew by be sure, and sometimes uneven, but a cruel and insensitive world, the they do what they do with flair and Dukes (or XTC) are disturbed by a give the music scene a much needed quiet bustling in their own hedge- Dlavful kick. Dukes of Stratosphere Psonic Psunspot (Geffen) ... '- . - - 'I'm, ' . ' - 'IP. i JM bury me... lb not dead! . 3fe '" '5 If hi J" ? K Millll.ll It ' tlWll 4llt I!?. www: rows. It is psychedelia that is safe for children. Musically, they are standing on the shoulders of giants, but the vision is great up there, and a package with this many ace psy chedelic tunes should not be ignored. Pianosaurus Groovy Neigh borhood (Rounder) A funny thing happened to these guys on the way to the toystore they came up with the bravest, simplest concept to hit the music world in some time. It is merely a plus that this album is as good as it is any album relying solely on toys for instrumentation deserves to be on everyone's "legendary" list. The rockers propel you into manic toy air guitar accompaniment and the bal lads are so ingenious and poignant, you'll want to cry. With one foot in Toys-R-Us and the other in the heartland of America's roots rock rebel, these guys will plinkety-plunk their way into even the most jaded music lover's heart. Big Dipper Heavens (Homestead) Too heavy to be a pop band, too tuneful to be anything else, these Bostonians submerge their psyche delic lyrics into a big. warm, fuzzy guitar sound and serve up a won derfully mysterious world where men are men and women are trains. The Big Dips have great credentials, having played in various Boston I : : wi I & -iff h Iff JpbJgCf Individual Wine Tastings in the bar January: What is Oak? Three California Chardonnays February: Sherries by Lustau March: Sauvignon Blanc California. Loire. Graves Wines notes by Mark Yonce and Bill Neal Tastings nightly without reservations 967-2506 220. w. Rosemary St. bands, (most notably the Volcano Suns) and they know that a stack of Marshalls alone won't make memorable music. They're loud and they're tough, but they write songs that could very well prove to be the thing that pushes Bon Jovi and Whitesnake back into the weenie farm they sprang from. Andy White Rave On (MCA) This effort from Ireland's contribu tion to the folk revival sprang from oblivion and was subsequently ignored by nearly everyone. This is particularly unjust because, given proper promotion, it could have easily been one of those rare, worthwhile mainstream successes. The lyrics are the strong point throughout, with many memorable images and some passages bordering on poetry: the music is augmented guitar-oriented balladeering. He was hailed as the new Dylan, but aside from the cover art and a voice that inspires the same kind of flinching at first, he comes across as having a very distinctive style all his own. Opal Happy Nightmare, Baby (SST) This is one of the most menacing collections of songs to ever bless vinyl. Opal mingles the pop ethic of the late Marc Bolan. hypnotic key boards and their own style of impure blues to create a world where they quietly accept science fiction as their fact and musically lure you down a dirty alleyway just to beat you up. You'll love them for it. The first ever Cyberpunk album. Balancing Act Three Squares and a Roof (IRS) If you have lived in the pop belt (from Hoboken to Athens) for any amount of time, you probably have already battled the uncontrollable urge to slam Don Dixon and Mitch Easter into a wall until they promise -ftreiroMor make the Great American Pop Record. Well, this record is America. And it's pretty great. The pop on this record doesn't jangle so much as it twangs, with one tentative foot in the country and western tradition and the other grounded in folk. They harmonize beautifully and consis tently deny expectations, instead of slavishly following the standards that are ruining pop music for our children. Ladysmith Black Mambazo Shaka Zulu (Warner Bros.) OK. you heard them on Paul Simon's album. You saw them on the Tonight Show. You saw them on Saturday Night Live. Judging by the success of this album, however, most of you probably did not treat yourself to a large enough dose of the heavenly sounds created by this a cappella group. NO amount of hype could possibly do LBM justice. After count less years together, and as many albums (released only in South Africa), these guys have perfected their glorious harmonies. They create music in one of the oldest and purest forms, and they uplift in a way Western music never will. Do yourself a favor recognize what these people are doing. There it is: the albums that helped shape 1987 and the artists that will, with hope, shape the years to come. Chapel Hill Stick this to your refrigerator tor easy

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