,4The Daily Tar HeelFriday, October 6, 1989 SpotM ght l: J: r r Math major packs punch as -I1 IN- A 1 fit ( , . m V v 'J ' AA-A; , V " - WN - l;, N I ,-vA A'A', , ;A i Black belt Kathryn Bishop practices karate Eclecti c musician to pi ay at C rad I e By TOM PARKS Staff Writer Sun Ra is not of this earth. ? But he is visiting, and this Sunday he and his Arkestra will jam at the Cat's Cradle. Depending on the imagination of the v teller, Sun Ra is either from Alabama or Saturn. Sun Ra, known primarily in jazz r if r r r r r r r r v 1 Homernade Cheesecake Sweet Surrender I Give in to mocha fudge. To Kahlua brownie. I Don't hold back from a Chocolate Roll. I Experience cheesecake ecstasy. Go ahead, I give in to temptation. South Square Mall karate instructor ,1 i - DTHGina Cox circles, gained fame in the 1950s in Chicago for his work arranging and composing jazz. In 1961, he and the Arkestra, which in its many forms has played with Ra for more than 30 years, made the move to New York where they gave up composition and harmony and pio neered an innovative, mystical style of free-form jazz. The Ark consists of a stron By SHIELDS BREWER Staff Writer Kathryn Bishop is a petite, blue eyed blonde with graceful moves and smooth, polished gestures. No, she's not a model; she's a karate instructor at the American Institute of Karate in Chapel Hill. As the 5-foot-3-inch black belt warms up with basic techniques, one realizes the power hidden in her small frame. She eyes her pupils in the wall length mirror. A smile of encouragement, and she continues with the punches, blocks and kicks. "We were all taught that it (karate) was an unladylike thing, I suppose," said Bishop, a junior mathematics ma jor at UNC. "Being a woman, I have to prove my black-belt status. I have to be a little better. "Usually the only discrimination (as a woman) I get is from 1 3- and 1 4-year-old boys, but instructors won't tolerate that at all." Earning a black belt in karate does have its advantages. According to Bishop, "I'm not stupid enough to walk through campus at night, but there have been times when I've been less cau tious than someone else might have been." Bishop's class begins with breathing and concentration exercises. 'They allow you to concentrate on karate. You drop your problems at the door." The class members then practice basic techniques. Most of Bishop's older students are working toward their white-belt status, the lowest in the sequence of belts. The sequence is: white, yellow, orange, green, blue, purple, three degrees of brown and black. John Stokes, an orange-belt student, said, "She is an excellent instructor. She works well with children. She's very good at breaking down techniques and explaining them." Bishop said she sometimes had a hard time juggling her studies and her karate, but she did not like to miss a workout. "If I miss one workout, it's easier to miss the next one, and so on." She plans to stick with karate and one day plans to open her own karate training and instruction center. . plethora of percussionists, singers, horn players and, it seems, just about every one and his brother. They might have a hard time fitting themselves and their instruments on the Cradle's stage. Ra and the surprisingly disciplined Arkestra put on a show known for being raucous and disarming. For some shows, Ra leads the Arkestra through and around the audience, shaking hands, dancing and singing all the while. Ra, though old and wizened, by most accounts can still impress, whether playing the piano or keyboards. Only last year, one reviewer described his playing style as "a percussive amalgram of stride-style boogie and stabbing dissonance." Stanley Crouch wrote in Player's magazine: "Just as James Brown is the king of rhythm and blues, Sun Ra is the . present king of contemporary big bang and is far more exciting and much more fun than any of the well publicized and popular 'jazz-rock' bands of the day. There is nothing like him, and like a sunrise or a bolt of lightning, he is never the same, only consistently beautiful." Tentative starting time for Sunday's show is 9 p.m. FEELING TRAPPED? Let Us J Rescue CcdlToday Mid-Semester KENSINGTON TRACE Weaver Dairy 967-0044 UNC teaching fellows strive to improve state education By ELIZABETH MURRAY Staff Writer Despite dismal state SAT scores, the teachers of tomorrow say there may be hope for North Carolina's schools after all. "I want my students to be citizens of the world," said UNC education student Mark Kleinschmidt. Kleinschmidt, a sophomore social studies education major from Goldsboro, is one of a select few who are trying to make a difference in public schools through the N.C. Teaching Fellows program that is designed to produce teachers who are "the best and the brightest," said Barbara Day, Director of the Caro lina Teaching Fellows. The N.C. State Legislature started the program in 1 987 and allocates $8 million a year to 400 students at nine different universities in the state. The $20,000 four-year scholar ships are granted to students chosen through a rigorous screening process during their senior year in high school. First, students must be nominated by their high school and selected by a committee at a local level. Teachers, administrators and legislators from across the state then hold a regional screening. Finally, the students are interviewed at the state level and those accepted are chosen by specific uni versities to be teaching fellows. This academic year marks the second year of participation for UNC, which now has 120 teaching fellows. The UNC division can admit only a limited number of teaching fellows each year, Day said. "We have to turn down many highly qualified students 1 i v " V rir""' TtMiMMMaM-MMaM-imTfrTTI frn nH-r..-..,,,. --w-v ' - I nHI IIIIIMI MiailMMM M MMMMIMMIM-a,,t The Ensemble Courant will perform this weekend at Hanes Art Center. Handel's arias to highlight concert By GRETCHEN DAVIS Staff Writer The Ensemble Courant, UNC's own professional music society for perform ance on original instruments, will inau gurate its seventh concert season this weekend with a performance of cham ber music by G.F. Handel. You! For Rates, Road who want to be in this program simply because we can only have 60." In exchange for a free education, the teaching fellows agree to teach in North Carolina for at least four years. But students don't seem to mind having these strings attached. Many of them hope to teach in Raleigh, Durham, Chapel Hill, Charlotte or Greensboro. The scholarships pay for the stu dents' education while allowing them to do what they want to do, according to Kleinschmidt. It provides a support system as well, he said. "Eery week I wonder whether I still want to do this, and all I have to do is call up somebody. Then I'm sure I want to teach." Laura Bilbro, a sophomore early childhood development major from Hillsborough, said a biology teacher she had in high school influenced her decision to teach. "I want to be a part of learning and teach as a service." Although the qualifications of these students are highly impressive and somewhat staggering, the general feel ing on campus is that education majors have low academic scores, Day said. "I don't think students on this cam pus realize the high caliber of students we're getting, because the word is kind of out that the lower-scoring people go into education. That simply isn't true." The teaching fellows class admitted this year includes 18 valedictorians, Day said. The group's average high school GPA is 3.7, and the average SAT score is 1203. The minority per centage of the class is 1 2 percent, which is higher than the campus-wide minor ity percentage of 10 percent. Because all of the students chosen for the program are highly qualified '4, w-. J I -A ifm V ", v If JO vii xi", . a if "Concert buffs need to get better acquainted with Handel," said David Arons, business manager of the group. "(He was) the first composer of his day to become an international favorite because of his international style. His music is an amalgam of his life and travels abroad." This weekend the ensemble will serve up a potpourri of Handel's best, includ ing works enjoyable for all audiences. The program will consist of Handel's Concerto Grosso in D Major, Opus 6, No. 5; his Trio Sonata in F; the Pas sacaille from 'Terpsichore"; his can tata "Tra le Fiamme"; and "Suesse Stille, sanfte Quelle," "In den angenehmen Bueschen," and "Flammende Rose" from his set of nine German arias. Members of the group are Penelope Jensen, soprano; Richard Luby, violin; Ruth Johnsen, violin; Brent Wissick, cello, viola da gamba; Elaine Funaro, harpsichord; Rebecca Troxler, flute; Ann Woodward, viola; and Robbie Link, violone. Joining them will be guest performers Sarah Davol, oboe; Claire Fontijn, flute; and Joan Brick ley, Edith Gettes and Alexandra Eddy, all on violin. The group's original name, the Soci ety for Performance on Original Instru ments, was created from its interest in authentic instruments. Most of the music they perform is chamber music, and they agree that performing the music on original instruments (especially using either original or authentically made bows) necessitates significant changes in articulation and interpreta tion. Teague Resident assistants are being espe cially careful and are working closely with area government to help promote better security withinTeague, Cox said. It is primarily the residents' responsi bility to help maintain a secure envi ronment, she added. "Everyone needs to keep an eye out for their neighbor." Few security problems can be re and many are leaders, the program , functions smoothly, Day said. The . students interact with one another -and work together on a leadership -team in order to get things done, she said. The students have formed a lead-. ership team that meets periodically to schedule seminars andgenerate . ideas about educational, cultural and social functions they may want to. incorporate into their program. By the time the teaching fellows . actually get to teach, they will have had two years of some kind of contact in schools with a variety of children Day said. During their sophomore year; teaching fellows begin tutoring in the ; schools. During their junior year, the ; fellows will work in the schools at j least a half a day per week. Day, the chairwoman for curricu- ; lum and instruction in the School of ; Education, said she hoped the pro- gram would continue in the future. ; "We think it will continue as long as there is money in the state to do it ; because we are going to have a very ' critical shortage of teachers in this state. Part of this is to bring 'the best and the brightest' into teaching, and ; the other part is to make sure we have enough qualified teachers to fill the classrooms." Although the program encourages students to be active on campus, the idea is not to pressure them to spread themselves too thin, Day said. "We want our students to be lead- ers on this campus, but I say to them, 'You are first a Carolina student. You are secondly a teaching fellow.' " The group's recently adopted narne, the Ensemble Courant, is a deliberate double entendre both showing the en ergetic, dance-like style of most of its music and playing on the word "cur rent" to show its fresh outlook as the group assumes a forward-moving role in the performance of early music The Ensemble Courant is now the resident BaroqueClassical ensemble at the Charleston Piccolo Spoleto Fes tival and the guest ensemble at Colo nial Williamsburg's Early Music Festi val. : Another program the group is plan ning is a UNC performance of Handel's "Messiah" with the University Cham ber Singers, under the direction of Susan Klebanow. The concerts will be De. 9 10 in Hill Hall Auditorium and will feature soloists Penelope Jensen, Ste ven Rickarts, Jeffrey Thomas and James Weaver. The Ensemble Courant also Will present a program of diverse concjerti by Telemann and J.S. Bach in January. John Gibbons on harpsichord and Stfcve Rosenberg on recorder will join the fest of the group for this performance; In February, the group will perform in PlayMakers Theatre, featuring a pro gram of 17th century Italian and Ger man music "In the Old Style," for strings and voices. I f Concerts this weekend will be', in Hanes Art Center Auditorium at 8 jim. Saturday and 3 p.m. Sunday. Tickets are $5 for students and will be avail able at the door: from page 1 solved until residents take more re sponsibility by not propping doors open and not stuffing paper in the locks, because. this ruins the hinges of Ithe doors and makes them more accessible to unwanted guests, she said. "We re ally have a challenge trying to keep it secure." 3

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