2The Daily Tar HeelWednesday, April 8, 1992
Campus Calendar
WEDNESDAY
10 un. Rowed ft Creative Arts Forum spon
sored by theGraduate & Professional Student Federa
tion will be in Cheat Hill until I p.m.
Noon: Center for Research In Journalism ft
Mass Communication will discuss "The Year of the
Voter" in the Howell Hall faculty lounge.
3 p.m. JOB HUNT 100: For Juniors will be in 306
Hanes. Sponsored by UCPPS.
4:30 p.m. RSVPYES career fair will be on the
third floor of Dry Hall.
5:30 p.m. Lutheran Campus Ministry will have
communion service and a fellowship meal.
i p.m. UNIT AS will discuss "Race. Religion and
the Continuing American Dilemma" in the fifth-floor
lounge of Caimichael Residence Hall.
5:15 p.m. Asian Students Association will meet
in 206 Union with the club picture at 6 p.m.
7 p.m. Student Environmental Action Coalition
will meet in the Campus Y lounge to elect co-chairs.
Wesley Foundation will hear Ralph Eanes speak
on "Reclaiming the Jesus you used to know."
Delta Sigma Theta will show a documentary of the
civil rights movement, in the black cultural center.
7:30 p.m. Student Congress will meet in room 3
of the Institute of Government
8 p.m. MSA will show "Muhammad: The Natural
Successor to Christ" in 226 Union.
UNC-Russla Exchange will meet in 220 Union.
8:30 p.m. Undergraduate History Association
presents Brannaugh's "Henry V" In 206 Union.
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WE
Clefs' show proves they're
'getting better all the time'
When the Clef Hangers serenaded
1 1 -year-old Ryan Mills with the Beatles'
"I Wanna Hold Your Hand," the audi
ence was "awww" inspired.
Mills, a long-time groupie of the
Clefs, had written them a letter to pro
claim that, in her opinion, they were
"even better than New Kids On The
Block."
So the Clefs brought the little girl up
on stage and gave her the spotlight
during their stirring rendition. And the
audience absolutely ate it up.
In fact, the audience seemed to de
vour the whole show. The Clefs packed
Friday night's 1 5th Annual Spring Con
cert with plenty of old favorites, but
also added a couple of spicy new twists.
Their slow numbers were undoubt
edly their best. A consistent favorite for
the Clefs is James Taylor's "You Are
My Only One." The lead vocalist, Jay
Reynolds, sounded strikingly like Tay
lor, and the back-up vocals were beau
tifully harmonized. The group also
showed remarkable range in "Some
body." "Heart of the Matter" lacked the soul
fulness of Don Henley's original and
instead, thrived on a high, light melody.
Likewise, U2's "Mysterious Ways"
sounded too busy with many clashing
background melodies. Yet the crowd
went crazy over both numbers, proof
that a popular song always earns merit.
Many of the Clefs' tunes were upbeat
and catchy they made you want to
get out of your seat and dance. Billy
Joel's "You May Be Right" was the
opening number, which set everyone's
foot tapping. "Something About You"
was another creative number, one of
those songs that you just want to climb
inside of.
The Clefs continued to show their
range and versatility in "Come Sail
Away," where the strength of the entire
group shone through, and "Moon Over
Georgia," a gentle country melody. They
even performed a rendition of They
Might Be Giants' "Istanbul (Not
Constantinople)" a scream.
The Clef Hangers entertained their
audience with brief comical sketches,
sometimes seeming pulled out of thin
air, while other times were hysterical.
A -
r I Fv r' J " 1
DTHKevinOiigndl
Matt Wilhelm, Jay Reynolds and Ash Curtis do their version of an 'SNL' sorority skit
Jenni Spitz
Concert
They staged their own 1992 Olym
pics, which included such athletic events
as thumb wrestling and a stationary
triathlon.
A take-off of Saturday Night Live's
"Delta Delta Delta" skit was very timely.
Primaries
and so absurd that it was funny. Their
"Oh-my-God's" were well rehearsed.
This evening with the Clef Hangers
was an evening well spent. They closed
their show with Modern English's "I
Melt With You."
Appropriately, the song's chorus
goes, "I've seen the difference, and it's
getting better all the time" ... just like
the Clefs, who also seem to be getting
better all the time.
from page 1
Correction
In the April 7 Daily Tar Heel ar
ticle, "Suspect at large in Chapel Hill
rape case," Kim Sisko should have
been quoted as saying, "He was try
ing to sneak up behind me and catch
me off-guard."
The DTH regrets the error.
40 percent, Tsongas had 29 percent, and
Brown took 26 percent.
Clinton's Kansas victory was a land
slide. He was gaining 5 1 percent of the
vote, with Tsongas, Brown and an un
committed line on the ballot bunched
far behind.
Returns from Wisconsin gave him
38 percent, compared with 35 percent
for Brown and 22 percent for Tsongas.
Returns from Minnesota showed
Clinton leading Brown, 38 percent to
35 percent, with Tsongas at 22 percent.
Bush won Republican primaries in
Kansas, Wisconsin and Minnesota over
the deflated conservative challenge of
Patrick Buchanan.
He was gaining nearly all the del
egates at stake and seemed on track for
clinching a nominating majority when
Indiana, North Carolina and Washing
ton, D.C., hold primaries on May 5.
Bush's victory margin ranged from
62 percent of the vote in Kansas to 69
percent in Minnesota and 78 percent in
Wisconsin.
Clinton entered the night's primaries
with 1,101 delegates, more than half the
2,145 needed for the nomination. He
was leading for 1 66 in New York, Wis
consin and Kansas.
Minnesota's election was a popular
vote and bestowed no delegates.
Tsongas went in with 475 and led for 95
more. Brown had 166 and led for 100
more.
Bush began the night with 876, in
cluding 100 from New York, where
Buchanan was not on the ballot. The
president led for 87 in Kansas, Minne
sota and Wisconsin. Buchanan began
the night with 46 and led for 8.
There was little campaign to speak of
on the Republican side.
Buchanan was not on the ballot in
New York. He made a few appearances
in Minnesota and Wisconsin, but aired
no television commercials and pretty
much gave up his scathing attacks on
Bush.
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