?crap heap. It
its day, aad a
lowed memoriei
L Tfce city of Naples ftaw no idea
4fl|the beauty of southern Italy, it sits
like a ragged vagrant by the roadside
in the fairest land oCSurope. ?" ?'
If you woo Id see all of this beauty
at a glance, visit the steep headline of
Posilipo, which juts into' the sea be
yond the city. Here are combined the
beauties of the ?odern Campania?
the smooth roads winding upward past
white villas, the blue sky, under which
A* earth seems to glow, while the sea
is tipped with sfiver? and the. ifaoft
striking relics of the long-gone days
of the Roman empire and the middle
SfceCthffse peijods so foil of story and
color,, whifh have moved across Italy,
environed in her beautiful landscape
and inspired by the romantic tempera
?? *
som e m 1 o aty pageant. j* - ?* ? . - :
; At Posilipo stood the villa of Vir
gil, greatest of the Latin poets, and
here tcday.is a vault where his re
kains are said to lie. It was at Po
silipo that wrote the Georgics,
thca^g beautful- Latin ' pastorals that
picture all the seasons of the year as
the poet studied them from his coun
try seat. Hers *fter he had died came
kMRP1' ** 40 CDt
'This famous sepulcher is a low
stone vault with three windows. There
formerly stood within ita tall urn.
whlob-waa said to contain the ashes of
the poet, but this has disappeared and.
is said to have been removed by King
Robert the Wise to his palace- for safe-.
rafSe very end of t& feadland
stands one of the most impressive
relics ;of,Rqmanlipry in aU Italy. It
is the ruin of Pausilypum, the villa
built by Vedius Pollio and bequeathed
by him to Augustus Caesar. "T^o End
of Sorrow" is the meaning of its name,
feadLld.1'
Here are reinains of massive white
marble walls and pillars and foundar"
tfons, reaching far out into the water,
and- from these and from the numerous
and splendor and license of the life oi
decadent Rome. He may picture the
great villa, sitting on the point of the
headland, backed by dark groves, wife
its white feeMfc the breaking sea. Ijle
may reconstruct in fancj&jthe OdeOn
and the theater, where the lord and
his guests were entertained; the fish
pond inffr which Vedius caused a serv -
ant to be thrown and devoured for
breaking a glass; -the wide-flung gal
leries and porticoes, the elaborate
nibble baths* And this palace of a by
gone ager he may people with the
in their?floiring
opyrighW
?oun9
JUST WANTED
* ? ?ov'
_ the corre
sponding stilcgl of words that we ad
dress to our friends; in such expres- 1
we cm readti, wo depend on
-| distinction of our grammar as
ly as the typist on the dlstinc
of her keyboard or the wood
carver cm the differences of his gouges.
To lose from gjood usage eren one
well-based grammatical dtbtinction is
to lessen by just -Chat amount our
tchlng our thoughts with
-
our careless use of thei
tongue is confusing forms and )
distinction that
ording can ill i
vocabulary i
makers
edition;
and beyond "would"
? -b|
1DERS TO BE DREADEtt,
II Your Secret In An, Pub
ice, for a Very Good ?nd
'Sufficient .Reason.
1 ??
your secrets on the street!
the theater between acta or. .
her public pllec, not even to
it trusted, friend," Bold the
news
tSSStS&S
- IX..
-
? . .
I
t mule. As an army
Hotchkies was -at
f campaign*
bdcks 'of forty pack mules. A coil of
half a mile lof , wire hung upon each
"There were six young operators,
each corps, mounted . on
horses. To these hoys had been In
trusted the government cipher and
knowledge of the advance movement
young fellows, ever be
trayed a trust.
"For the Mo
were drilled' :
Orleans to foil
, the entire train,
ihp, rear of the
v fcn?w, notWn?
The . reel mule,
Be back w un
in advabce and
?d&tfc^nd was
uw* r? \ :
there is not a yard of under!)
ito nest - There -pposto or, o
.means for the bird 3 to Blake I
thiret Treo; eurgpvjt- ha? clbsed
cavities, whence titmou*e, wrea