v,. ENTERTAINMENT r mamm MY TUNE by Obataiye B. Akinwole The arts of mankind art many. They have been grouped in many different ways through the years. For example, there are the visual arts—painting, sculpture, architecture—the aural arts—music, spoken verse—and those which depend for their effect on a combination of the two—rhetoric, theater, opera, ballet. Further division brings us to the creative or temporal arts—music, spoken verse-and those which are created once for all—sculpture, architecture, cinema. The temporal arts have one thing In common. They all depend in one way ' or another upon visual symbols which 1 convey the artist’s Intentions to the < performer and, through him, to the ' listener or the spectator. Since we are 1 dealing with music here, we will * speak of the performer. > The symbols used by the artist have * been developing for 1,500 years, they 1 are still unstandardized. One will And I different idiosyncrasies within a > country. What effect has this > arbitrary system had upon the performer through the years, and « how will it affect the performer and i the whole of music 50 years from * now? s Prom humble beginnings music ^ has grown into a highly technical tl field where the performer is given P little freedom. There are exceptions, c of course—the mannered music of P jazz is one, but even here the * performer’s “freedom” is being v taken away. The effect is not so * noticeable because the modern performer hat been conditioned to believe that be or she should do no more than what is written on the manuscript. The performer of old was given only a skeleton "harmony” an which he extemporised freely. The interpretation of the performer was if utmost importance. The performer was expected to know all the peculiarities of the style in which he performed. Today, almost everything son manuscript. It is quite obvious that the performer, in the traditional sense, is incoming obsolete. Even to the point hat the modern trend is seemingly to lo away with the performer iltogether. Modern innovations such is the computer are the major •uses. When we walk into any store hese days, we hear music background music). This is not live nusic but music that has been pre aped and replayed over and over gain. One might say: "Well, the •rformer was needed to record the susic.” That’s true, but let us peculate for a moment. The latest innovation has been lectronically and computer roduced music that can match the Mind of most modern instruments nd more. What happens if this movation is perfected; where does tat leave the performer? It would robably be much cheaper to buy a smputer than to pay expensive Brformers, editors, publishers and > on. What will happen to them? rith the computer doing all the work, hat will become of emotion, feeling,” and “mood” in music? READY FOR THE WORLD - MCA graup, Rudy Far tha Warid, racnntty parfarmad at Tiumaia hare in R thigh. Tbay’ra lack with Straight Dawa Ta Bushes*, a naw nan aausansa album that Mvan tha graup’i tradamarfc saund af RAO an tha funk tip and tha musical Cyril Poitier Older Brother Dies Of Cancer In Miami, Family Mourns MIAMI, Fla. (API—Cyril Poitier, the older brother who helped raise actor Sidney Poitier, died Nov. 13 of cancer, his family said. He was 80. Poitier, me oldest of eight brothers and sisters, was born on Cat Island, Bahamas. He moved to Miami in 1839 at the age of IS and two years later married Albertha Sands. In 1981, the couple renewed their wedding vows in an elaborate ceremony to make up for the brief wedding they had as teenagers, the Miami Herald reported last week. In addition to raising 10 children of their own, the Poitiers took in Sidney, a disruptive 15-year-old sent to Miami by his father to be straightened out by his big brother. "He went to Washington Carver School for a while, but quit and 1 worked in a grill. I was very strict with him. He’d always look up to me, i listened to my advice," Cyril Poitier i laid in 1984 after his brother had received an Academy Award for his , role in “Lillee of the Field.” i "Once I found him rolling dice in ' the street with a gang," he said. “I 1 walked up to him with a strap in my hand, but he saw me coming and took * off like the wind. He could run fast, ‘ that boy. When I got home again, he ( was in the yard playing with the kids. 9 I Just hadn’t the heart to belt him , then. But I told him never to do it 1 again. And he never did." “ Over the years, Cyril Poitier held a J number of Jobs, from handyman to S bell man to luggage carrier at Miami 1 nternational Airport. He also got a taste of movle naking, appearing with his brother n Let's Do It Again, Piece of the tot inn and Uptown Saturday Night. For the past 10 years, Cyril Poitier worked with another son, Bernard, 'ho runs Poitier Funeral Home in fiami. In addition to his wife, daughter, on and actor brother, Poitier, a minding member of Holy Redeemer atholic Church, also is survived by ons Cyril, Jr. and Anthony; aughters Ethelyn Hamilton, •oretha Thomas, Carolyn Upson, uliette Higgs and Deborah Poitier; rothers Reginald Poitier and ackson Burnside; and sisters Ruby Bars, Delores Poitier and Maude lamilton. New Raleigh Laser Art Sculpture Comes To Life, System Operates Home wnat type or art moves faster than a speeding bullet, covers several city blocks and yet doesn’t weigh an ounce? People visiting downtown Raleigh on evenings between Dec. 5 and New Year’s Eve will get a ehfw»f to see for themselves, when North Carolina's first laser art sculpture comes to life. The specially commissioned “floating" light sculpture, formed by two laser beams reflected off mirrors mounted on the tops of downtown buildings, is the creation of Chris Robinson, an art professor at the University of South Carolina. The lasers will be turned on at approximately 6:30 p.m. on Dec. 8, In conjunction with the lighting of the governor’! Chrlatmai tree. The prime viewing arena for the laaer dlaplay will be In front of the Civic Center and along Fayetteville Street Mall, although apectatora will be able to aee the llghta from a dlatance of aeveralcityblocka. Corporate aponaorahlp of the aculpture cornea from Raleigh-baaed IllumElex Carp., the nation’! largeat Independent lighting management aervicee company, with additional aupport from the Downtown Raleigh Development Corp. In addition to the laser aculpture, IlliumElex will also provide viauoi* with an , educational display illustrating recent advances In lighting technology, as well as the impact that energy-efficient lighting systems have on the environment. The display will be located inside the Radisson Hotel, next to the Fayetteville Street Mall entrance. "We operate in 31 states throughout the South and Eastern United States, but we wanted to do something special for the people of Raleigh, since this is our hometown,” says Harold Chappell, president of IllumElex. c«£25toi,*£too» Imagine the spirit of Mardi Gras or Disney World's Main Street on Fayetteville Street Mall and you have First Night Raleigh, a community celebration of Now Year's Eve with performances, visual art, entertainment and culture In unexpected places in downtown Raleigh. Produced by Artsplosure, First Ni^it Raleigh will be the largest New Year’s Eve celebration ever held in eastern North Carolina, offering something for everyone—from the child to the senior dtlsan who wants to be part of a festive celebration of the passage of tlma. From Capitol Square to Moore Square, First Night Raleigh will offer a feast for the imagination and serve as a delightful, alcohol-free alternative to traditional New Year's Eva Indulgences. Originating in Boston in WTO as a part of the nation’s Bicentennial celebration, the First Night concept has since been successfully replicated in more than 70 major cities across the United States and Canada and promises to become the nation's dominant cultural tradition for celebrating New Year’s Eve by the year Moo. All First Night Raleigh activities will take place in downtown Raleigh beginning in the afternoon with children's programming. At dusk, the many performing and visual artists participating In first Night Raleigh will lead a fantastic Peopled Procession through downtown Raleigh prior to the evening’s performances. The night will be full if the unexpected and the unusual with visual art and performances taking place continuously in atriums, obbies, churches, galleries and itorefronts throughout the downtown area. The evening will culminate on the Civic Center Plata with a fireworka and light (how that will mark the beginning of Raleigh’a Bicentennial Celebration. Hamdrlx Gets Star For'60s Bast Music LOS ANGELES, Calif. (AP)-ftock innovator Jimi Hendrix waa honored last week for hit 1960a psychedelic guitar pyrotechnics with a posthumous star in the Hollywood Walk of Fame. His father, A1 Hendrix, and brother, Leon Hendrix, Joined more than MO fans on Hollywood Boulevard for the unveiling of the star outside Book City Collectables, which has a shrine to Hendrix along an entire wall. Hendrix died of a drug overdose in 1070 at age 37. The star was Imbedded in the coral and gray sidewalk between stars honoring actor Art Carney and director Fred Zlnneman. “It was a long time coming, but good things happen to those who wait,” A1 Hendrix told the fans, many of them wearing tie-dyed shirts and rocking to Hendrix guitar riffs screeching from loudspeakers. The Hendrix star, the 1,043rd unveiled along the Walk of Fame, was sponsored by Warner Records, which is releasing • boxed set of four Hendrix compact discs. His albums included “Axis: Bold as Love," "Band of Gypsys” and “Are You Experienced?” He also was famous for such songs as “Purple Hase,” “Foxy Lady." Nonviolent Rap Group, Leads In Music World DALLAS, Tru (AP)—Rap group Public Enemy wants to be known for its public service. Group members Flavor Flav, Terminator and Chuck D spoke to teenagers Friday about the dangers of drug abuse, gang violence, black on-black crime and dropping out of school. "The purpose that we’re here today for Is that education is way more Important than me teaching you how to dance," Flavor Flav told an auditorium of excited young fans at Dallas' Lincoln High 8chool. "It all starts here by respecting your teachers, because they have the Information you need to get a diploma." According to a U.8. Centers for Disease Control study, homicide is the leading cause of death among black males IB to M. During the one hour presentation, rap group members stressed the importance of avoiding America's violent subculture. Public Enemy’s appearance came only days after Dallas set a record for homicides, passing the 444 killings of 1B80. Dallas police say 45 percent of the victims were black. Strictly Business Soundtrack Marks New Superstars UNIVERSAL CITY, Calif.-Up town/MCA Records announcdea the release of the Warner Bros, feature “Strictly Business” soundtrack, featuring new and unreleased cuts from platinum-selling superstars Stephanie Mills, Heavy D and the Boys and L.L. Cool J. The “Strictly Business” soundtrack is a collection of 11 fun and memorable tunes featuring some of today's hottest Mack talent. Also Included are songs by Jeff Redd, Mary J. Bilge, Grand Puba (of Brand Nubian), Jodeci, Nice A Smooth, Leaders of the New School, Rare Essence and La Quan. The album’s first single is Uptown/MCA recording artist Jeff Redd’s “You Called and Told Me,” to be followed upon the film’s release by L.L. Cool J’s "Strictly Business.” "Strictly Business” is a contemporary romantic comedy about rising young black executive Waymon Tinsdale III (“The Cosby Show's” Joseph C. Phillips) whose life—a perfect Job, a perfect condo, a perfect BMW and a perfect socially correct fiance—Is turned upside down by the gorgeous, flamboyant Natalie ("Jungle Fever’s” Halle Berry), whom he sees in a restaurant. Garner Road Ballet Claes Moves In Motion Ua Mondays at T p.m., little ballerinas can be seen entering the Garner Read YMCA ballet class. EAch child gives 110 percent to become the best ballerina possible. Instructor Karen Hanks of Raleigh has studied dance at the N.C. School of the Arts, Howard University and UNC-Greeasbero. Karen believes In having fnaand working hard. The ballet class is exposing youth to classical music. The class is also building coordination, poise, and self confidence. If you are Interested in Joining the ballet class, call US-ltM. Jermaine Tells His Side Of The Jackson Family Fraud NEW YORK, N.Y. (AP)-Meet the happy Jackson family: Jermaine says LaToya is brainwashed, LaToya says her parents sexually assaulted her, Jermaine says Michael is a product of surgery and skin lightening, Michael rarely* says anything. It’s all in the name of publicity: spell it J-A-OK-S-O-N. An unreleased version of Jermaine’s song, “Word to the Badd!’’ is leaked to radio stations? And it sets up a controversy with Michael? And both Jermaine (“Yog' Said”) and Michael (“Dangerous”) are releasing new albums? A mere coincidence—not I For his part, Jermaine is downplaying his spat with Michael, but letting LaToya and her tell-all biography have it with both barrels. In a recent interview, Jermame was fiercely proud and unfailingly upbeat about his family—until LaToya came up. Mention of her much-publicised book gets the soft-spoken Jermaine’s voice rising. LaToya accused her father of physically and sexually abusing the Jackson children, and her mother of standing by while it occurred. “LaToya is beautiful, but she’s Drainwasnea. My sister is liuiuencei by her husband, who would discredl anyone for his own greed," say Jackson. “My mother and father are grea parents. They did a great Job. It hurt them. You know what hurts the most We worked and worfctfcL. trying t builgl something lor, ourselves. Sh •wasn’t a part ofthat, and she floesn have the right ttftfif that down." * As for brother Michael, Jermain spoke positively about thei relationship despite “Word to th Baddl" and their dueling albums. “No. It’s great, because he ain heavy, he’s my brother. It’s one c those things. Michael’s a tremendou talent. He’s the greatest out there, a far as I’m concerned. And that' speaking as an entertainer, not as , brother,” says Jermaine. Jermaine’s record won’t includi his controversial version of the som “Word to the Badd!", which feature* lyrics questioning Michael’s plasti surgery and skin lightening. , sanitized version appears on th album. But Jermaine has some otho advantages this time around. Big time producers L.A. and Babyfac were brought in to work with the :u year-old Jackson; they’re hopeful ih i resiui win ue more hits like “Let’s i Get Serious,” “Let Me Tickle Your i Fancy," “Do What You Do," and “I Think It's Love." i Jackson moved his family from Los s Angeles to Georgia for almost a year > to make the album, relocating to his r producers' home base. While the shift e south caused some problems, It also i had several benefits—including new friendships with the production team. e “We had all this time. You never i get a chance like that, to go to games e together, to work out and train together, to play basketball," i Jermaine said. “We went to some i Braves games. I became a Braves > fan before the Series.” Jackson is joined by Living Colour guitarist Vernon Reid on one track, i while the four-man group Color Me < Badd contributes backing vocals on > “WordtotheBadd!” I The latter group, whose debut . album is a major hit, asked Jermaine for autographs and pictures when i i they met—an experience which ! brought Jackson back 3S years to the i Regal Theater in Chicago. I “Smokey Robinson was on the i show. I’ll never forget it. We were on the talent show part... and we got a I chance to shake his hand. They I [Smokey and the Miracles] were i rearing Hack turtlenecks, and we took his hand, and wo didn't want to let go," says Jackaon. The “we” are the Jackaon Five: Jermaine, Jackie, Tito, Marlon and Michael. Their hit “ABC" la freely lampled on Naughty By Nature’s raunchy rap hit “O.P.P.," and Jermaine said he is definitely down with the record. “I was knocked out The first time I beard it, no one had toM me about it. I was watching MTV, and I said, ‘Wait, this sounds like our song. This hour rang! They’re doing am* song!’ and I sailed up Jackie and told him.” recalls Jermaine. Jackie already knew about the hit rang, which introduced a lot of people to the Jackson Five.'Jermaine’s five tids were already hip to the Jacksons—they'd seen their dad and tie brothers in a rerun of the old Jackson Five cartoons. “They kept on staring at the TV. ind staring at me-bnck and forth, >ing, bing, Mag... Than they said, ‘to hat you?' I said, ’Yes, we did that rafore you were born,”’ Jermaine ays, laughing. “And now I have to hear it in the louse. ‘ABC.’ ‘I Want You Back.' all his old Jackson Five stuff. They’re Bto it."

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