Newspapers / University of North Carolina … / March 22, 2000, edition 1 / Page 21
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ARTS & ENTERTAINMENT C^HiRBQR H O H i ?!i 1 Oifv HafK)f Dnvc Wilfmngti>ci. 284CS 910-392.5411 » Five flmif • 1.2«k! i bcdnxm-. • C1u^h»Hisf, fitrnewkvntcT, fcnnis, K»BpnK pnuing grrcn • Ftrrf^Jttt’s avail^l^f* • inincjiin .lUitn^ • Scufage units avatbbk' • Bgwnt’v'i cenier • limu«\l access gaung ' ^ All OIK bedrooms starting at $519 6 or 12 month lease just live here. two bedrooms three bedrooms starting at starting at $649 $799 clear run •call for deuils 395-5678 5200 new centre diive, wilmington, nc 28403 clearrun@udn.com ij} Map of The Wamington Area Atlwlk Ocmn A apaitmerts SSAijwrtivv »ilin.ngiuii. ;4; 910*762*1843 • E^> ftioi f4»i, * 1 .mJ } hrintim • t, 4 and i j^sdcn jftintnctKs * S>aw With poiit ♦ (itnni cratvf • InstuMoo ilitws APARTMENT HOMES 4M Mill Cretk 0»Mrt Niflh GikJiiw 2(M0* 910-799-7655 • Sevtn fltM pjatB • 1,2 aiv) 5 bttltiKMB • WooJhimin* finrfil»c«»* • Pitio, hakuny, Minmmm* • Cttthhouse, liitxss cmrct, putj, lennis. sand njlleyhall • MonitflrrJ imniSKin aUtm • WasHer/Dtvcr av-ailaUr* «-.»OllEST.»llUS Wamtegtwi, M»«k lim-liM i«4Ci 910-763-5492 • ItwfluOT tfett • fcimrtisdl *ifaw» ■ • F«nK.isa'i!»e« CROSS^ ^—'APARTME NT HOME 1108 St. Andrews Drive Wilmintsiin, Ni»th Omilinii 28412 910*392-2770 • Five (too* [im* • 1,2 anJ J bcJtminB • Indoor »nJ auiiJ«« pool • Fttnea «nt« • OiithoiK, tmnii, sand votleyhin • Buittw» cem« • Finrptaccs* • MiiniUMvxi « »1»™» • Washti/Urvcr ivailabfe* October 27,1999 • the Seahawk 17 ANIME, from oaae 13: English (eigo). Anime, according to Woodhead, is not a genre as it is in America. “It’s a way of making a movie or a TV show,” Woodhead said. “A lot of that reason is because animation is cheaper to make than live action. Be cause Japan is a country with not even half the population of the United States, you can't afford to make a $150 million special effects film, but you can afford to make a $6 or $10 million animation film...in Japan you have animation...from the most G-rated kid's stuff through soap operas, suspense, mystery, sports stories, right through stuff that’s terribly awful and disgust ing...” Woodhead has noticed a shift in the mainstream entertainment industry’s view of anime, which used to see ani mation as kid’s stuff, very non-threat- ening. While the authentic Japanese animation is still "very niche,” as Woodhead put it, prime-time television shows like “The Simpson’s” show a strong anime influence. “It’s also starting to influence Hol lywood films, much in the way that over the last few years, for example, Holly wood has been stealing a lot from Hong CAROLINASII FINE DINING (next door) Reservations 256-5008 No Wait for the Piano Bar Guaranteed WITH ANY Entree 1610 Pavilion Place Wilmington, NC 28403 910.256.3522 Kong cinema, including many of their stars and directors. They’ve also now started stealing from anime.” Woodhead said. The most obvious example of anime’s influence on American cinema Is thel998 blockbuster, “The Matrix.” “The creators flat-out admit that It’s a Hollywood film that steals from Hong Kong, kung-fu, and Japanese anima tion...” Woodhead said. "You’re going to see a lot of anime-lnsplred llve-ac- tion films...and I think a lot of really good anime films are going to get re made as live-action films within the next five to ten years.” Although some anime, like Pokdmon, has made a huge impact on the United States, Woodhead does not see most anime becoming a major mainstream trend. “I think you're going to find that there are some things that are just go ing to come over and become huge, and then there’s a lot of really specialized genres from Japan that are still going to be sort of a cult type of market," he said. “Those sort of cult films are the ones we actually specialize.” One of the hot “cult” series AnImElgo plans to import this year is “MACROSS.” In the ‘80s, there was an American series called “Robotech,” which combined the animation, plotllnes and characters of three sepa rate anime series. One of those was “MACROSS.” AnImElgo recently ac quired the rights to sell the original Japanese series In the United States. “We’re doing it as a sub-titled, lim ited edition release,” Woodhead said. In the world of anime fans, dubbing vs. sub-titling anime films Is a very big issue. Some fans are devoted to sub titles because they like to hear the origi nal Japanese, and others like the ease of dubbed movies. “The fans who consider themselves to be the real, hard-core fans tend to be biased In favor of sub-titles because they want to listen to the original voices,” Woodhead said. While some fans refuse to waver on the issue, Westman likes both styles. “If the dubbing Is good, I really like dubbed movies, but I’ve seen a Ipt of really bad dubbing,” the long-time anime fan said. “I guess mostly I pre fer subs[subtitles], but if you’ve got good dubbing it’s worth It.” Know of any upcoming events or eoncorts? If so, please contact A&E Editor Megan O’Brien at 962>7148 or e^nail her at shkartsentfliotmailxoni
University of North Carolina Wilmington Student Newspaper
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March 22, 2000, edition 1
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