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RADIO fWMFD Wilmington 1400 KC FRIDAY, NOVEMBER 13 7-30—Family Altar, the Rev. J. A. Sul livan. _ „ . , 7:45—Red, White and Blue Network Program. £-00—Daily War Journal. 8-15—Musical Clock. 8:45—A. M. News. 9-00_The Breakfast Club with Don Mc Neil. 9-45—Lest We Forget. 10:00—P.-T. A. 10 15—Roy Porter, News. 10:30—Let’s Dance. 1’ -00—Breakfast at Sardis. 11:30—A House in the Country. 11:45—Little Jack Little. 12:00—Meet Your Neighbor—Alma Kit chell. 12:15—Vicki Vickee. 12:30—National Farm and Home Hour. 1:00—Baukhage Talking. 1:15—Your Gospel Singer—Edward Mac Hugh. 1:30—Rest Hour. X-40—NEWS — WILMINGTON STAR NEWS ON THE AIR. 1:45—Rest Hour. 2:00—Meditation Period, the Rev. J A. Sullivan. 1:15—Between the Bookends with Ted Malone. 2 :30—James G. McDonald—News. 2:45—Earl Tanner. 3:00—1The Three R’s. 2:30_Men of the Land. Sea and Air. 3:45_Fifteen Minutes from Broadway. 4:00—Club Matinee. 4-55—P. M. News. 5.00—The Sea Hound. 5:15—Hop Harrigan. 5:30—Lone Ranger. 6 .00—Don Winslow. 6:15—Lum and Abner. 6:30—Ten. Two, Four Ranch Party. 6'55^NEWSd— WILMINGTON STAR NEWS ON THE AIR. 7:00—Confidentially Yours. 7:15—Let’s Dance. 7 30—Deeds Without Words. 7 ^45—Treasury Star Parade. 8:00—Watch the World Go By. 8:15—Dinah Shore. 8 :30—These Good Ole Days. 9:00—Gang Busters. 9:30—Spotlight Bands. 9 -55—Gracie Fields. 10:00—Meet Your Navy. If : 50—John Gunther—News. 10:45—Men, Machines and Victory. Over The NETWORKS FRIDAY, NOVEMBER 13 EASTERN WAR TIME P. M. (Changes in programs as listed doe to corrections by networks made too late to incorporate). 5 15—Portia Faces Life. Drama — nbc Hop Harrigan of the Air Corps - blue Mother and Dad. Serial Series — cbs The Quaker City Waltz Time — mbs 5:20—Just Plain Bill. Dramatic- — nbc The Jack Armstrong Serial — blue-east Dance Band from Chicago — blue-west The Landt Trio & Curley — cbs-basic Serial Series for the Kiddies — r bs 5:45—Front Page Farrell Serial — roc Captain Midnight’s Serial — blue .east The Ben Bernie Show, Orchest. — cbs Dance Music Orchestra (15 m.i — mbs 6 -00—Hollywood Orchestra Prog. — nbc Don Winslow of the Navy — blue-east Ten Minutes of News; Musicale — cbs Prayer; Comments on the War — mbs f:i 5—Melodic Strings and News — nbc Milt Herth and Organ Trio — blue Todav at the Duncans — cbs-basic The Blue Streak Rhythm — cbs-Dixie Adrian Rollini and His Trio mbs 6:30—The Canteen Girl Variety — nbc Jack Armstrong in repeat — blue-west Frank Parker's program — cos-udau. The War Overseas; Dance Ore. — mbs t» 4o—Bill Stern and Sports Spot — nbc Lowell Thomas on News — blue-basic Captain Midnight's repeat — blue-west World and War News of Today — ebs 7:00—Fred Waring’s Time — nbc-east ‘ Scramble,” Drama of Aviation — blue Amos and Andy’s Sketch — cbs-basic Fultpn Lewis. Jr. & Comment — mbs 7 15—World War via Broadcast — nbc Rex Stout, Our Secret Weapon — ebs The Johnson Family, a Serial — mbs 7 25—Molasses-January Comedy — blue 7-30—Tommy Riggs, Betty — nbc-basic Paul Lavalle & Orchestra — nbc-west Lone Ranger Drama of the West — blue “Easy Aces,” Dramatic Serial — ebs Halls of Montezuma, Marines — mbs 7.45—Kaltenborn Comment — nbc-west Mr. Keen Lost Persons Tracer — ebs 8 GO—Lucille Manners. Orchestra — nbc F.arl Godwin’s War Broadcast — blue Kate Smith and Variety Hour — ebs Cal Tinney Comments on War — mbs 8.15—Dinah Shore Sings for You — blue Barrie Sisters & Willard Trio — mbs 8:30—Inforrmation Please, a Quiz — nbc Good Old Days and Pat Barnes — blue The Cisco Kid, Western Drama — mbs 8:55—Five Minutes News Period — ebs 9.00— Abe Lyman’s Waltz Time — nbc Gang Busters Anti-Crime Play — blue Friday Night’s Playhouse — cbs-basic 9:15—Dancing Music Orchestra — mbs Gabriel Heatter Speaking — mbs-basic 9 -SO—Party from the Plantation — nbc Spotlight Bands, Guest Orchest. — blue That Brewster Boy, Dramatic — ebs Double or Nothing, Quiz Show — mbs 9:5b—Gracie Fields and Comedy — blue 10.00— People Are Funny, a Quiz — nbc Me^t Your Navy, Variety Show — blue Caravan Hour. Lanny Ross M. C.—ebs Bout, Allie Stolz vs. Beau Jack — mbs 10:30—To Be Announced (30 m.) — nbc John Gunther in Commentary — ulue 10:45—Men, Machines and Victory—blue 11.00— News for 15 minutes — nbc-east The Fred Waring repeat — nbc-west News and Dance 2 hrs. — blue & ebs Comment, Dance. Variety (3 h.) — mbs 11:15—Late Variety & News — nbc-red -v ACTION TAKEN OTTAWA, Nov. 12—(£>)—1The Jus tice Department took action today against Edward Gay Rohrbough, a U. S.-born former member of the Canadian army, on a charge of violating the defense of Canada regulations by supplying informa tion on which the American week ly magazine Time based a recent story of war prison camp disord ers at Bowmanville, Ont. CD Needs FIRE-WATCHERS (Men Only) Duties: Take up posts In door-ways, on roofs and other vantage points during an Air Raid alarm to spot and reach fallen bombs quickly. Training: General Course, Fire Defense A. Enlisted Yesterday Air Raid Wardens.. 10 Aux. Police . 3 Messengers . 2 Spotters . 2 Filter Center. I Child Care .. 1 Total . 19 4^ LOIS EBY and ^JQHN_CFLEMING CHAPTER THIRTY-NINE Under the blue lights of the per sonnel office, faces took on a pale, sickly look. As Mary returned to her desk from her interview with the head of the F. B. I„ the faces about her seemed to be those in a nightmare. She felt neither exalt ed nor noble over her decision too continue her work with the F. B. I„ even though she were the one to send Bruce Martin to the peni tentiary—or death — for espionage and treason. She had done no con scious balancing in her mind be tween love and duty. She had only known in a cold moment of cer tainty that if Bruce Martin had done this hideous thing, he must take the consequences. No one could help him avert this fate. No one must help him. She had built a wall around her love—a wall which didn’t lessen it or change its essence, but a wall be yond which she could not reach with any impulsive action from the heart. Connie was beckoning urgently. “Nice timing,” she put the phone receiver into Mary's hand. “Your roommate s on the wire.” “Hello,” Mary said dully into the phone Fran was in a hurry and ex cited. "Listen, chickadee. I’m at the studio and we’re doing some re-takes tonight—we’ll be here till dawn practically. I called Ken and he said he’d bring you over after work There’ll be a pass for you at the front gate. It’ll be your one chance to get on a sound stage!” Mary hesitated. At the moment, gett ng on the sound stage of a motion picture studio did not seem important. But she hadn’t the strength tc explain this or to break into Fran's v'"ony plans. “All right. Fine!” she tried to sound grateful. Even Ken was enthusiastic over the evening As they drove toward Hollywood under a black, star studded sky, he told her laughing ly how he’d piled his bicycle into a taxi after work and rushed home to get his car. “Always said I wouldn’t go acrosc the street to see the inside of a movie studio,” he chuckled ruefully, “but that was before I got the chance.” The gateman filled in their pass, instructed them to keep it and re turn it when leaving, and told them how to get to Sound Stage No. 9. They walked up the wide alley between darkened buildings. The cutting department was still at work, though, snatches of dia logue and song drifting weirdly out into the quiet night. At the sound stage they waited until the red light flashed off, then Ken pulled the heavy door. Mary walked in through a cluttered en trance, picked her way through pieces of scenery, stumbled over light cables, then came into the main stage to blink at the bril liance of the flood lights. Ken took her arm and maneuv ered her carefully to a chair with in range of the balcony scene on which the lights were focused. “Let’s ease down here until we get our bearings,” he whispered. “I’m blind as a bat.” Slowly Mary began to take in the intricate necessities of a movie set. Electricians were hurrying around to adjust the act lights— which surrounded the scene from the floor, from tall standards and ifrom high catwalks that ran around the sides of the walls, jMary’s breath caught as she saw I the dark-haired girl on the bal cony set. But, Fran, coming up at this moment whispered. “That’s only Toinette’s stand-in—t hey practice the lighting on her.” Fran slumped into a chair beside Mary and grinned woefully. “Gosh, I’m tired. How’ya like it, kids?” Mary laughed faintly. “It’s such a small balcony for such a lot of lights and paraphernalia,” she ob served. “This sound stage is as big as Madison Square garden, isn’t?” “Well, we squeezed quite a few extras on ii the other day.” Fran retorted. “I’ll introduce you to the director later. He’s a peach. Shot as much of Burke’s stuff first as he could in case Burke got his Navy orders to report.” Ken was barging about explora tively. He returned, looking like an eager, small boy on the trail of treasure. “You know, I’ve seen pictures of all these things—camera and lights and sets,” he said, “but it’s kind of a shock to see ’em all together looking so big and power ful and impressive.” Fran howled. “Gets you. does it?” she demanded. “Well, I don’t feel so badly then about being bowled over by goggle-eyed ambi tion a while back.” one squeez-eu ivxctx,y 5 ncuiu. a had to stay for the re-take tonight because they worked in a comedy walk-through for me in Toinette’s balcony scene. I didn’t even get excited over this break. Proves I'm cured.” Mary gave her a smile and re turned the squeeze. “Good.” But she didn’t know why she said it. What difference did it make, she thought drearily, if Fran were am bitious for a career or not. What difference did anything make, i men you loved could lie and cheat and sell out their country . . . and you went on loving them! Wasn’t it better to have faith in no one but yourself? To seal up your heart and sublimate its yearnings into personal ambition? At this moment. Toinette came out onto the balcony and exchang ed places with her stand in. Once more Mary saw the luscious beauty of the dark-haired girl, watched her subtle, compelling mannerisms, as the director mov ed forward to give her quiet in structions. “It’s all her fault we’re having this late retake.” Fran whispered. “She blew up yesterday higher than a kite in the love scene. Got hysterical and went home. That’s why she'd had to co-operate to night. Shooting’s behind schedule and—” But Mary was sitting tense and erect in her chair. “You say she blew up yesterday?” Fran nodded. She couldn’t talk because the scene had started, and quiet descended like a pal! over the huge stage. Toinette was in a difficult mood. She must be humored. But Mary was not in the mood to humor her. When the tender love scene had been shot to the director’s satisfaction, and Toin ette had left for her bungalow, Mary grasped Ken’s arm. “I’ll meet you at the car,” she whispered, and slipped through the sound stage doer to hurry after the star. She caught her as she DAILY CROSSWORD ACROSS I. To become insipid 5. Units of electrical resistance 9. Fencing sword 10. Exploit II. Billiard stroke 12. Silent 14. Highest cards 15. Extremely 16. Exist 17. Think 21. Senior (abbr.l 22. Entrapping 24. Fold over 26. Rude beds 29. God of love 31. Sailing vessel 32. Items 36. Male name 37. Scions ( 39. Short for Albert 41. An Apostle 42. Music note 44. Tall 46. Jewish month 48. Shun 50. Take as one's own 51. Spanish river 52. Turns Jellylike 53. Prescribed regimen 54. Voided escutcheon DOWN WMutual con cord 2 Part of church 3. Instruction 4 Sheltered side 6 Often (poet.) 6. Celestial 7. Spice 8. Rouses 11. Fairy Queen 13. Son of Odin 18. Soft food 19. Male name 20. Nothing 22. Blemishes 23. Cogwheels 24. Guided 25. Land measure 27. A number 28. Cunning 30. Precious stone 33. Anger 34. Fate 35. Prosecute judicially 38. Merchant 3». Exclamation 40. Resided 42. Slight error 43. Skill 45. Desert in Asia 47. Puppet 49. Speck " I H-U \>9terd»y> Aniwer 50. Past CRYPTOQUOTE—A cryptogram quotation INDYENY OCLYI KSJ IWCFWG, I W C F WG NXYYMDEV CE QXCO MCDEJ JC MCDEJ — JYEEGICE. Yesterday’s Cryptoquote! DEATH-BED REPENTANCE SEL DOM REACHES TO RESTITUTION—JUNIUS. Distributed hv King Features Syndicate. Inc entered her bungalow and said breathlessly, “May I see you? I’m a friend of Bruce Martin!” Toinette was visibly startled. After one brief look at Mary she nodded and went ahead into the bungalow. “I remember you,” she said slowly. “You were with heem at the Brown Derby.” Mary had no time for reminis cences now. She was vibrant with the belief that had grown steadily into a shining hope in her heart as she had watched Toinette play her tender love scene before the grind ing cameras. She crossed to sit beside her on the divan now and leaned forward to ask in a tense whisper. “You couldn’t go through that you broke down in the middle of it—because you had fought with Bruce the night before! You had a terrible fight with him, didn’t you?” “How do you know that?” Toin ette’s hoarse cry was a confession. Mary was breathing deeply. “If it affected you that much,” she said slowly, “you must care for him. And if you care for him, you’ll help him. Because, believe me, he’s in pretty awful trouble at Nordex.” Toinette’s great dark eyes were pools of terror in her white face. “What do you mean?” she Whis pered. "I mean,” said Mary, pounding home each word, "that you must go to the F. B. I. at Nordex and tell them of that quarrel—and tell them, too, how Bruce Martin al ways had to fly when he was trou bled. Tell them— Both girls swung about as the bungalow door shut. Link Jackson regarded them with a lazy smile from the threshold: “My, my, did I interrupt some thing?” Toinette rose quickly! “My friend, Miss Jones—Mr. Jackson,’’ she introduced quickly. At the door she gave Mary a fleeting smile of farewell. “I will theenk it over,” she promised in her husky voice. (To Be Continued) _v_ DAVIS SOLDIERS . MINING COPPER Aiding In Extracting Pre cious Ore In Michigan; Were At Local Camp An undisclosed number of sol diers who a little more than a month ago were performing mili tary chores at Camp Davis are now mining copper in upper Mich igan, according to press reports. The soldiers were given furloughs for an indefinite period to alle viate the shortage of civilian mine workers. Most of the men selected from Camp Davis and other camps ori ginally hailed from the Upper Peninsula, Michigan, “hard rock" mining center, although a few got their experience in the anthracite regions of Pennsylvania. The classification office here, faced with the request for hard rock miners, sorted out quite a number and sent them to Camp McCoy, Wis. From McCoy, Michigan news papers relate, they are being sent to the copper mines. Although they are on furlough from the Army and are subject to recall if the War Department thinks they should tote a gun again, the furloughed miners are not al lowed to wear uniforms. On the other hand, they’re getting about seven bucl^s a day instead of fifty bucks a month. It seems there were a lot of sol diers who felt they qualified for the mining furloughs simply be cause they had worked in coal mines. Such was not the case. Hard rock mining is said to be al together different from mining soft coal, and even the anthracite miners have quite a bit to learn. BOOTS AND HER BUDDIES THAT’S CONVENIENT By EDGAR MaRtTi. SUPERMAN THE CLUE By JERRY SIEGEL AND JOE SHUSTER THE GUMPS THE MORNING AFTER t DR. BOBBS ELLIOTT AND McARDLE OUR BOARDING HOUSE . . . with . . . . MAJOR HOOPIJ
Wilmington Morning Star (Wilmington, N.C.)
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Nov. 13, 1942, edition 1
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