Newspapers / Wilmington Morning Star (Wilmington, … / June 22, 1942, edition 1 / Page 6
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RADIO WMFD Wilmington 1400 KC MONDAY, JUNE 22 7:00— Morning Greetings. 7;30—Family Altar, the Rev. J. A. Sulli van. 7:45—Red, White and Blue Network Pro gram. 8:00—World News Round Up. 8:15—Pages of Melody. 8:30—Musical Clock. 6:45—A. P. News. 9:00—The Breakfast Club with Don Mc Neil. 10:00—Clark Dennis. 10:15—Today’s News with Helen Hiett. 10:30—Let's Dance. 11:00—Second Husband. 11:15—Amanda of Honeymoon Hill. 11:30—John's Other Wife. 11:45—Just Plain Bill. 12:00—Meet Your Neighbor—Alma Kit chell. 12:15—Refreshment Time with Singing Sam. 12:30—National Farm and Home Hour. 1:00—Baukhage Talking. 1:15—Your Gospel Singer, Edward Mac. Hugh. 1:30—Rest Hour. 1:40—NEWS — WILMINGTON STAR NEWS. 1:45—Hotel Taft’s Orchestra. 2:00—Meditation Period, the Rev. J. A. Sullivan. 2:15—Between the Bookends With Ted Malone. 2:30—James G. McDonald. 2:45—Jack Baker. 3:00—Prescott Presents. 3:30—News—Joan Harding. Men of the Sea. 3:45—Fifteen Minutes from Broadway. 4:00—Wilmington Museum of Art. 4:15—Club Matinee. 4:55—A. P. News. 5:00—Air Corp Band — March Field, Calif. 5:30—Lone Ranger. 6:00—Harmony Isle. 6:15—Lum and Abner. 6:30—Dr. Pepper, Ten, Two, Four Ranch Program. 6:45—Interlude. 6:55— NEWS — WILMINGTON STAR NEWS. 7:00—Baseball Scores. 7:05—Let’s Dance. 7:30—U. S. O. Program. 7:45—Treasury Star Parade. 8:00—Bats in the Belfry. 8:30—Front Page Dramas. 8:45—Tod Grant Gets the Story. 9:00—Russian War Relief Program. 9:55—Ramona and the Tune Twisters. 10:00—Counter Spy. !0:30—Military Analysis of the News. 0:45—News Here and Abroad. OVER THE NETWORKS MONDAY, JUNE 22 EASTERN WAR TIME P. M. (Alterations in programs as listed due entirely to changes by net works). 5:45—Three Suns Trio Program — nbc “Secret City,” Dramatic Serial — blue Ben Bernie Musical Period — cbs Captain Midnight’s Serial — mbs-east €:00—Denver’s String Orchestra — nbc Lone Ranger — 5 East blue Stations Ten-Minutes of News; Musicale — cbs Prayer; Comment on the War — mbs C: 15—String Orchestra & News — nbc Hedda Hopper on Movies — cbs-basic The Blue Streak Rhythm — cbs-Dixie Baseball; Rhythmettes, Vocals — mbs t>:30—Music for Brazil Concert — nbc Lum and Abner of Pine Ridge — blue Frank Parker’s Program — cbs-basic The Blue Streak Rhythm — cbs-Dixie Jack Armstrong’s repeat — mbs-west 6:45—Bill Stem and Sports Spot — nbc Lowell Thomas on News — blue-basic The Three Romeos Song — blue-west W? r and World News of Today — cbs Captain Midnight’s repeat — mbs-west 7:00—Fred Waring’s Time — nbc-east Jimmie Fidler About Hollywood — blue Amos and Andy’s Sketch — cbs.basic Fulton Lewis, Jr. & Comment — mbs <:lo—War News from the World — nbc Louella Paikin Songs & Orch. — blue El Charro Gil Trio (15 mins.) — cbs The Johnson Family, A Serial — mbs 7:30—We Present, Orch. & Song — nbc I.one Ranger Drama in repeat — blue Blondie & Dagwood Show — cbs-west Columbia Concert Orches. — cbs-west Fighting Cowboy Drama Series — mbs 7:45—H. y. Kaltenborn Talk — nbc 8-00—America Cavalcade Drama — nbc I Love a Mystery, Dramatical — blue Vox Poppers, Parks and Warren — cbs Cal Tiniley War Commentary — mbs f.:15—It’s for Your Information — mbs 8:30—Alfred Wallenstein’s Cone. — nb2 True or False ai d Dr. Hagen — blue The Gay Nineties Revue — cbs-basic Bulldog Drummond Adventures — mb' f*:35—Elmer Davis and Comment — cbs 9.00—Voorhees Concert &, Guests — nbc National Radio Forum Speaker — blue Radio Theatre and Guest Stars — cbs Gabriel Heatter Speaking — mbs-basie 9:15—Analyzing the Propaganda — mb' 9:30—Doc. I. Q. & Quiz Queries — nbc Your Blind Drde and Variety — blue The Better Half, Quiz Program — mbs ®‘35 Ramona & Tune Twisters «— blue .10:00— Contented Concert Orches. — nbc Counter Spy, Dramatic Series — blue Freddy Martin and His Orches. — cbs Raymond G. Swing’s Comment — mbs Jr:i?~Pean Pardue* Our Morale — mbs ir,:J0—Hot Copy, Dramatical — nbc-east i*°r«an Beatty War Comment - blue Will to Freedom, Drama — ebs-east Blondie & Dagwood repeat — ebs-wes* Mysic That Endures, Concert — mbs 30:45—Here & Abroad Comment — blue ior 15 minutes — nbc-east The Fred Waring repeat — nbc-west News and Dance 2 hrs. — blue and cb* Dance Music Orchestra Variety — mbs 31:15—Late Variety With News — nbc li:30—London's Radio Newsreel — mbs 32:00—Dance Music, News 2 hrs. — mbs -V 669 War Veterans Employed In May RALEIGH, June 21.— (TP) _The U. S. Employment service helped to find jobs for more veterans of World War One in May than ic any month on record, R. C. God win, Veterans’ Employment repre sentative in North Carolina, said today. Jobs were found for 669 in the state during May and 521 in April. They compared with 258 in Jan uary, 245 in February and 313 in March. The increase was attribut ed to national employment week and stress on jobs for older work ers. The active file contained only 1,854 names in May, the lowest ot many years. Many of those veter ans were working but seeking bet ter jobs. Some were classed as unemployables because of disabili ties. -V LAVAL WILL SPEAK BERLIN, (From German Broad casts), June 21.—(fP)—Pierre Laval, French chief of government, will broadcast "an important speech’’ Monday (at 4 p. m. Eastern War Time), according to a Vichy dis patch. -V WOMEN SOLE SUPPORT More than 450.000 women in the United States are the sole support of their families ’ll' SYNOPSIS DIAN WESTON, an Ardendale girl, who has just been jilted, more or less accidentally meets BILL ROLLINS, New York artist, who has just been jilted also, by an Ardendale girl, CLAIRE LESTER. Claire has turned down Bill, saying t hat she has discovered she loves PAUL PETERS, a local boy, who is now an engineer. * * * YESTERDAY: Eloping, Claire and Paul are forced to seek shel ter ' in Dian’s old farmhouse, where they find Dian and Bill together. CHAPTER NINE "You didn’t wait long, my child,” said Bill to Claire. “We couldn’t help overhearing your conversation just now, and I gather you were on your way to be married.” He looked at hi s wristwatch. “Let’s see, it was around nine-thirty when you told me Paul had come back, and now it’s only—” “All this talk is pretty useless, it seems to me,” Paul said. “Claire and I were on our way to be married. We were taking a short-cut to the home of the J.P., when we got stuck in the mud and had to run for shelter.” He had a sudden thought. “Say, you’ve got a car, haven’t Rollins?” “Naturally,” said Bill. “How about letting Claire and me have it?” Paul said brightly “We’ve got an appointment with the J.P. He’ll wonder what’s hap pened to us.” Stepping closer to Claire, he took one of her hands. “We’ll be back with it the mo ment we’re married.” Claire pulled her hand free. “If you think I’m going out in this downpour again, you’re crazy!” she said. “But. darling, the J. P. will be worried! ” “Then let him be worried.” Claire snapped. “I'm tired, and wet, and disgusted.” "Goodness me!” said Dian. “Imagine being disgusted when you’re on the verge of taking unto yourself a husband.” “That,” said Claire, “is not fun ny!” “Sorry,” said Dian, and shrugged. “Well, Rollins,” said Paul, “how about borrowing your car?” "I tell you I’m not going” Claire said. But, darling—” “Listen,” Bill interrupted, “nei ther of you is going. Cy car’s got a broken spring. It happened when I dropped into a mud-puddio. We’re marooned here—the four of us—” “Oh!” said Claire. "You mean— indefinitely.” "Definitely!” said Bill. “Just like On a desert island,” said Claire, a slow smile forming about her kps. “Yes,” said Dian, “and if this rain keeps up, we will be on an island.” “You mean your car can't be driven?” said Paul. “Exactly!” “Then how are we to get back to town—or to the J. P.’s?” “That,” said Dian, “is in t h e lap of the gods.” “We’ll have to sit tight,” said daily crossword AC'ltUSS 1. Cabbage, salad 5 An astrin gent 9 Part of church v 10. White frost 11. Whipped 12. Fossil resin 14. Chests 15. Greek letter 16. Foxy 17. Male swan 20. Free 21. Masculine pronoun 22. Wheel on a spur 24. Nickel (sym.) 25. Stick together 27. Shakespear ean character 29. Tree 39. Away 31. Prophet 33. Marked with scars 36. Farm animal 37. Arms of windmills 39. Father 40. Polish >. 42. Grass cured for fodder 43. Clamor 44. Wicked 46. Mark 47. Begat 49. Harass 50. Jewish month 51. Seaweed 52. Catch sight of 53. Suppose DOWN i: Growled angrily z Tall and spare 3. The birds 4 Marry 5 Constella tion 6 Bough 7. F'ignient 8. Encounter ing 11. Woolen fabric 13. Means of communica tion 17. Bottle stopper 18. Be in debt 19. Exist 22. Rises up 23. Raises 26. Garden tool 28. Astern 30. Unctuous 31. Ulcers 32. Cast skin of snakes 33. Herb 34. Pithy saying 35. Masculine name 38. Exclama tion 41. Feathered animals Saturday’s Answer 43. Funeral song 45. Jump 46. Shoe part 48. Not wet 49. A mass CRYPTOQCOTE—A cryptogram quotation AKZWPDVDMM STM QDDV BDZZ YD XWVDY TM QDVDOKZDVJD WV MGTZZ PSWVEM — GTJTHZTL. PLEAUSURE%Cvm-0q»T^; KN0W ™AT T0 reALLY ENJOY VOLTAIRE S UST KNOW H0W TO LEAVE THEM Distributed by King Features Syndicate, Inc. Bill, “and wait until the storm abates.” “Then what?” “Then one of us can get to the main road and thumb a ride.” “Or,” said Dian, "I might go along and throw another shoe.” “Not a bad idea,” Bill laughed. “Your aim is remarkable!” Claire, apparently quite content now to remain in the farmhouse for any length of time,. sank down the nearest chair and blew an other smoke ring. “All this,” she said, smiling, “reminds me of a drawing room comedy.” “Or,” said Dian, “a farce.” “Darn!” said Paul. He walked to the window and looked out. “Some elopement!” A brilliant flash of lightning, the heavy roll of thunder, and the rain increased in volume. And Dian said, “I think I can dig up a can of beans as well as some jam.” “Swell!” said Bill. “All men like beans. How about it, Peters?” “What?” said Paul, who had been lost in unpleasant musings. “Oh, beans. Yes, I’d like some.” “Men!” said Claire. “Always thinking about their stomachs.” “Why not?” snapped Paul. “I’ve got to think about something.” “And I don’t dare think abfiut my heart,” said Bill, “after what you’ve done to it.” Claire brightened. “Do you real ly feel bad about what I did Bill?” she asked almost eagerly. “Of course.” “Now,” said Dian, “do you feel better?” She didn’t wait for Claire to reply, but moved to the door leading to the dining room. “Come along, Bill,” she called, “and help me.” “Right with you” said Bill. “Shall I bring one of the lamps?” “Yes—that one on the mantel. * Bill got the lamp and followed Dian out of the room. When the two of them were gone. Claire sat for a moment gazing into space. Then she spoke. “Paul, dear,” she said. “Yes,” said Paul. “I think it’s Fate.” “You think what’s Fate?” “Our being stuck in the mud being forced to postpone our mar riage.” “Nonsense!” “I think,” Claire went on some what dreamily, “I think it wasn’t intended that I should dash off to marry you so soon after—er—jilt ing Bill Rollins.” “Why bring that up again?” “I mean maybe Fate intended that I should take more time to think it over. After all, one should not be too hasty when taking such a serious step as getting mar ried.” “We haven’t been hasty,” said Paul. “We’ve been planning to marry since I was in knickers and you in pigtails.” He softened; he came over and sat down upon the arm of Claire’s chair. “Remem ber the first time I asked you to marry me? I was 16 and you were 14—and I had it all planned. A cottage out near the Country club, where we could be close to golf and dancing?” He chuckled. “You were a sweet kid, a little on the plump side at that time, but I loved you like all git-out. Funny, how much love a boy of 16 can carry around with him.” “Do stop reminiscing,” said Claire. “I’m more interested in the present. As I said, I think it’s Fate, and—” “Say, what brought all this on?” Paul asked. “Our beij»g thrown here together this way,” said Claire. “You, Bill and me. I’ve the strangest sort ot feeling that Fate threw us together so that I could make a—a—sort of test. Well, not a test exactly; but I feel that I was given this op portunity to sort of compare you and Bill.” "Of all the fool ideas!” Paul ex | ploded. “Now, don’t lose your temper,” Claire warned. “Don’t forget it was that temper of yours that made us quarrel before. If you’d controlled it, things would ha v e been different. You know that as well as I do.” “All right, all right,” said Paul. “I won’t lose my temper. But, lis ten, Claire, you don’t have time to make tests. I told you I wanted a week’s honeymoon before catch ing the boat out of New York ” I know that, but I want to be absolutely sure this time that I’m marrying the right man.” “Good Lord, don’t tell me you still think Bill Rollins may be the right one.” “He might be—yes.” “Heaven help me!” 4 (To Be Continued) armyTesting NEW RUNWAYS Portable Flying Fields Get Baptism Of Fire With Live Bombs WASHINGTON, June 21.— (A*) _ Army air forces are testing will! bombs and shell fire several types of portable runways in preparation for setting up emergency flying fields in combat areas. Lifting today some of the secrecy surrounding the experiments, which have been in progress for months in Florida and elsewhere, officials disclosed that four types of port able runways of metal mesh or strip construction have been adopt ed tentatively'. Several types are required, they explained, for the varying terrain and uses which may be expected in battle zones. Some runways are designed for fighter planes while others must be able to stand up under landings and takeoffs by bombers which weigh 25 tons or more. Tests have shown, officials said, that artillery fire, because of its tearing effect, is likely to be more damaging to the portable runways than bombs. One “strip” field already has been completed for emergency use “somewhere along the Atlantic sea board.” Several others are under construction. BRITISH BOMBER LISBON. June 21.—(/P)—A foui motored British bomber landed at. an airport in the northern suburbs of Lisbon today and the crew was interned, the Portuguese radio re ported tonight. BOOTS AND HER BUDDIES All Set By EDGAR MARtJJ AS 1 V^ACW. -mQOUGU IWt CQOtOO.f I OQ'oo UATCVX CAQSSOU_W\SOtAS.ON£. OCXJV.O USQt AT THE TRAC.V. VS VOOV^fc SOSP\C\Onc^ 'FOQ Mfc. AK5D VOW£N> TUtW SSS. -^ S € NV't, TWLW'Qt SOfCS. TO 6VJ<E. {' TWE.VAS'C'OJ'c.S AVOAW <3-1 SOMt ACT \ ABCWc AV\_,<DOtfT L'c.T OKi TV\AT WOO VAAOt tOOTVCtO'" WASH TUBBS What Next? By"Royth» AN AMERICAN SEAPLANE' ““ '-- ' WOULDN'T >ARE LAND SO %4, NEAR A JAP DESTROYER.' THEN HOW WIU NOU RETURN TO CHINA? SUPERMAN Message Received ... And Noted By Jerry Siegel and JoTshustep C,OIS IS COMPLETELY UNAWARE THAT she P&ND LATER...rYOU'VE HOl HO! ^ ^ THAT REMINDS ME. HAS NARROWLY ESCAPED DEATH SEVERAL p-wJGOT TO J 'YOU'RE MORTIMER GANBY TIMES WHILE WALKING THRU THE CAN BY YOU CALL \ ADMIT A, ■ GIRL PARTICULARLY ANXIOU STEEL MILLS ONLY BY SWIFT BUT UNSEEN THIS AN 'V.THAT (TS 40 WAS TO SEE SUPERMAN INTERVENTION BY SUPERMAN I INTERVIEW? \BETTER DING TO TONIGHT. YOU COME ■ LOIS I'M VERY) THAN NO HOW ME ACROSS THE MAN OF DISAPPOINTED) STORY < TOMORROW EVERY IN YOU ' At ALL. ONCE IN A WHILE. IF = ' , ’ YOU SEE HIM, WILL Pthat lead i - - OVERHEARD. I'LL SAY NOTHING ABC . rr UNTIL I HAVE A „ ;. CHANCE TO LOOK;-’* ' INTO IT!-') an r»/\r>r*o --—--—_. DR. BOBBS Elliott and Me A* I I By William Ritt and Clarence Graj i I GASOLINE ALLEY --Firststep; OUT OUR WAY By J. B. Williams HOW \/ KEEP HIM ' DO \ AROUMD FER. YOU A WHILE AM’ | WATCH HIM .SMEAR BEHIMD TH' BARM TO REST-TELL HIM WE CAIM'T USE A CRIPPLE AM' THEY'LL STRAIC5HTEM I \ OUR BOARDING HOUSE . .. with ... Major Hooplf UM-AU/ONE OFTH& ¥ WE CERTAINLY ARE YIT'D BE A0Re7~"X;' °F f SCORING HIGH 4 RE6TFUL IF \ XD THIS QUAINT MODE OF A ON SCENIC DELIGMTSMtHE TURTLES V HOW 7X X SITTING MERE 1 DIDN'T KEEP JlOf' SUSTAINED VIEW WE \ TEARING DAYS 6 EVERVBODV \ 00? JSL c2UNiTPNr)r °ff the CALENDARA AWAKE. DASH 7 T H' G!DE IN full bloom//(till we pass that] iNG UP BEHIND PUT-1 ----Xv X HATSTACK ! A US AND MONK- ?Ag Xs. —"XTirJG TOR MA’T/DA; X ' ; ' "x l WX '' si X J rfffiSSI fL Xow motiom* tJlJ ^ " ■« »■ 'm2 »YN£A SERVICE. INC, beXu's pat c*r ~~ ^ •
Wilmington Morning Star (Wilmington, N.C.)
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June 22, 1942, edition 1
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